Universal-audio UAD Plug-Ins ver.7.5 User Manual Page 385
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UAD Powered Plug-Ins Manual - 385 - Chapter 39: Pultec Passive EQ Collection
Pultec Passive EQ Collection Screenshots
Figure 114. The Pultec EQP-1A plug-in window
Figure 115. The Pulteq MEQ-5 plug-in window
Figure 116. The Pultec HLF-3C plug-in window
Figure 117. The Pultec-Pro Legacy plug-in window, which includes both the original EQP-1A and the original MEQ-5
- Manual version 140211 1
- TABLE OF CONTENTS 10
- Documentation & Support 14
- Direct Developers 15
- Installed Locations 15
- Customer Support 17
- Ampex ATR-102 18
- Ampex ATR-102 Screenshots 19
- Secondary Controls 31
- Shelf EQ 32
- Repro HF 33
- Repro LF 33
- Table 2 34
- Tape Speed Hiss Level Setting 34
- Crosstalk Level 35
- Tape Delay Enable 36
- Dry/Wet Mix 36
- Delay Time 36
- Manual Calibration Procedure 39
- Manual Calibration Notes 42
- Parameter Dependencies 43
- API 500 Series EQ Collection 45
- Default values are in bold 48
- LF Shelf 49
- HF Shelf 49
- API 560 Controls 50
- CHAPTER 4 52
- 212L Gain 57
- 212L Pad 57
- 212L Meter 57
- 212L Phase 57
- 215L Lo-Pass 58
- 215L Hi-Pass 58
- 215L SC (Dynamics Side Chain) 58
- 235L Threshold 59
- 235L Depth 59
- 235L Attack 59
- 235L Release/Hold Knob 59
- 235L Release/Hold Switch 60
- 235L Gate/Expander Switch 60
- 235L Meter 61
- 225L Threshold 61
- 225L Ratio 62
- 225L Attack 62
- 225L Release 62
- 225L Knee 62
- 225L Type 63
- 225L Meter 63
- Peak/Shelf Switches 65
- 550L Pre-Dynamics 65
- 550L SC (Dynamics Side Chain) 66
- SC Link (Side Chain Link) 67
- Cambridge EQ 69
- Cambridge EQ Controls 70
- Low Cut / High Cut Filters 73
- EQ Bands 74
- Parametric EQ 75
- Indicator Line 79
- Cooper Time Cube 80
- Design Overview 81
- Cooper Time Cube Controls 81
- Cooper Time Cube Hardware 85
- CS-1 Channel Strip 86
- EX-1 Equalizer and Compressor 87
- EX-1 Equalizer Controls 87
- EX-1 Compressor Controls 88
- EX-1M Overview 89
- DM-1 Delay Modulator 90
- DM-1 Controls 90
- RS-1 Reflection Engine 93
- RS-1 Controls 94
- CHAPTER 8 96
- DreamVerb 99
- Signal Flow 100
- Shape Panel 103
- Materials Panel 105
- Reflections Panel 107
- Reverberation Panel 109
- Positioning Panel 110
- Early & Late Adjustment 111
- Levels Panel 112
- Spatial Characteristics 113
- DreamVerb Presets 114
- Preset Design Tips 114
- For additional info: 115
- Empirical Labs EL7 FATSO 116
- FATSO Screenshots 117
- FATSO Functional Overview 117
- High Frequency Saturation 118
- FATSO Controls 120
- Channel Controls 121
- Tranny (green LED) 123
- Bypass (red LED) 123
- Global Controls 124
- FATSO Sr. Controls 125
- EMT 140 Plate Reverb 129
- EMT 140 Controls 130
- Reverb Controls 131
- Stereo Controls 132
- EQ Controls 132
- Modulation Controls 133
- Blend Controls 134
- CHAPTER 12 136
- Introduction 136
- EMT 250 Screenshot 137
- Functional Overview 137
- Program Mode Controls 140
- Decay Time (Lever 1) 141
- LF Decay (Lever 2) 141
- HF Decay (Lever 3) 141
- Predelay (Lever 4) 141
- Front/Rear 141
- Coarse Delay Time (Lever 1) 142
- Fine Delay Time (Lever 2) 142
- Channel Select (Lever 3) 142
- Phase (Lever 1) 143
- Chorus Mode (Lever 3) 144
- Coarse Echo Time (Lever 1) 145
- Fine Echo Time (Lever 2) 145
- EP-34 Classic Tape Echo 149
- EP-34 Tape Echo Screenshot 150
- EP-34 Controls 150
- EP-34 Hardware History 154
- CHAPTER 14 156
- Fairchild Plug-In Family 158
- Fairchild 670 159
- Second-Generation Algorithms 159
- Sonic Differences 159
- Artist Presets 159
- Upsampling 159
- Fairchild 670 Modes 162
- Fairchild Controls 163
- Fairchild 660 164
- Fairchild 670 Legacy 164
- Input Gain versus Threshold 165
- Left/Right 166
- Lat/Vert 166
- Overview 167
- Headroom Control 167
- Historical Background 171
- Harrison 32C EQ 173
- Cut Enable 174
- High Pass (low cut) 174
- Low Pass (high cut) 175
- Harrison 32C SE 176
- Harrison 32C Latency 177
- Helios Type 69 Equalizer 178
- Helios Type 69 Controls 179
- Helios 69 Latency 182
- LA-3A Compressor 184
- LA-3A Controls 185
- Lexicon 224 186
- Lexicon 224 Screenshot 188
- Operational Overview 189
- Numerical Value 191
- Value LED 192
- LED Meters 192
- Overflow LED 192
- Primary Controls 193
- Rear Outs Notes 197
- Hidden Controls 200
- Program Descriptions 203
- Little Labs IBP 206
- Little Labs IBP Controls 207
- Little Labs IBP Latency 208
- Little Labs VOG 209
- Little Labs VOG Screenshot 210
- Little Labs VOG Parameters 211
- The Little Labs VOG 213
- Manley Massive Passive EQ 214
- Massive Passive Screenshots 215
- Unusual EQ Conventions 215
- Massive Passive Mastering EQ 216
- Massive Passive Band Controls 217
- Bell Mode 219
- Shelf Mode 219
- Other Controls 223
- Massive Passive Latency 224
- Additional Information 226
- Moog Multimode Filter 227
- Moog Filter Screenshot 228
- Moog Filter Controls 228
- Bandpass 231
- Highpass 231
- Moog Filter SE 234
- Moog Filter Latency 235
- MXR Flanger/Doubler 236
- MXR Flanger/Doubler Controls 238
- MXR Flanger/Doubler Latency 243
- Neve 1073 Equalizer 244
- Midrange Gain 245
- Midrange Frequency 245
- Low Gain 246
- Low Frequency 246
- Neve 1073SE 247
- Neve 1073 Latency 248
- Neve 1081 Equalizer 249
- Neve 1081 and 1081SE Controls 250
- High Gain 251
- High Frequency 251
- High Peak Select 251
- High-Mid Gain 251
- High-Mid Frequency 252
- High-Mid Q Select 252
- Low-Mid Gain 252
- Low-Mid Frequency 252
- Low-Mid Q Select 253
- Low Peak Select 253
- High Cut 254
- Neve 1081SE 255
- Neve 1081 Latency 255
- Neve 31102 Console EQ 256
- High Shelving Gain 257
- High Shelving Frequency 257
- High Q Select 258
- Neve 31102SE 260
- Neve 31102 Latency 261
- Neve 33609 Compressor 262
- Neve 33609 Screenshot 263
- Operation 263
- Compressor 265
- Expert Question 268
- Background 269
- Headroom Switch 269
- Neve 33609SE 271
- Neve 33609 Latency 271
- Neve 88RS Channel Strip 273
- Neve 88RS Screenshot 274
- Neve 88RS Controls 275
- Dynamics 275
- Gate/Expander 276
- Limiter/Compressor 279
- Cut Filters 286
- Ocean Way Studios 288
- Ocean Way Studios Screenshot 289
- What Is Ocean Way Studios? 290
- Operational Overviews 292
- Modes Overview 292
- Microphones Overview 294
- Independent Controls 295
- Stereo Separation 296
- Fixed Distance Microphones 296
- Using Ocean Way Studios 298
- When to use Re-Mic Mode 299
- Dual-Mode Example 300
- Automation Limitations 302
- Ocean Way Studios Controls 304
- Studio Menu 305
- Studio Defaults 305
- Source Menu 306
- Display Panels 307
- Microphones 308
- Master Controls 311
- Mono Output 312
- Master EQ 314
- Precision Buss Compressor 320
- Fade Set 323
- Fade Switch 323
- Precision De-Esser 326
- Precision De-Esser Controls 327
- Operating Tips 329
- Precision Enhancer Hz 330
- Mode A (Bass 1) 331
- Mode B (Bass 2) 332
- Mode C (Synth) 332
- Mode D (Kick) 332
- All Mode 332
- Output Meter 333
- Precision Enhancer kHz 335
- Precision Equalizer 339
- Precision Equalizer Controls 340
- Control Grouping 340
- Mode Selection 341
- Stereo Mode 341
- Parameter Copy in Dual Mode 341
- Band Controls 342
- Precision Equalizer Latency 344
- CHAPTER 35 345
- Precision K-Stereo Screenshot 345
- Blog Article by Bob Katz 347
- Precision K-Stereo Controls 347
- Ambience Recovery 348
- Ambience Filters 349
- Bell Frequency 350
- Bell Gain 350
- Mid/Side Controls 351
- Output Gain Controls 352
- Output Level Meters 353
- Precision Limiter 356
- Precision Limiter Screenshot 357
- Controls Overview 357
- Precision Limiter Controls 357
- Auto Mode 358
- Sliding Meter Scale 359
- Long Live Dynamic Range! 359
- Peak-RMS 360
- Precision Limiter Latency 363
- Precision Maximizer 364
- Precision Maximizer Controls 365
- Precision Maximizer Latency 369
- Precision Multiband 370
- Precision Multiband Interface 371
- Band Parameters 373
- Absolute Link 374
- COMPRESS 375
- EQ Display 377
- Frequency Controls 379
- Dynamics Meters 380
- Dynamic EQ 382
- Precision Multiband Latency 383
- Pultec Passive EQ Collection 384
- Pultec Plug-In Family 386
- Pultec EQP-1A Controls 388
- EQ Enable 389
- Bypass/Gain 389
- LF Boost 390
- LF Attenuation 390
- Pultec MEQ-5 Controls 391
- LM Frequency 392
- LM Boost 392
- Mid Frequency 392
- Pultec HLF-3C Controls 393
- RealVerb Pro 396
- RealVerb Pro Background 397
- Spectral Characteristics 398
- Resonance (Equalization) 403
- Positioning 406
- Morphing 408
- RealVerb Pro Preset List 410
- Boss CE-1 Chorus Ensemble 411
- Boss CE-1 Controls 412
- Dual Mode 413
- Classic Mode 413
- Depth Knob 414
- Rate Knob 414
- Roland Dimension D 415
- Roland Dimension D Controls 416
- Roland RE-201 Space Echo 417
- Roland RE-201 Screenshot 418
- Roland RE-201 Interface 418
- Roland RE-201 Controls 418
- SPL Transient Designer 424
- Acknowledgement 427
- Applications 427
- Technology 431
- SSL E Channel Strip 435
- SSL E Channel Strip Controls 436
- High Pass 437
- Compressor/Limiter 438
- Gate 1 (G1) 440
- Gate 2 (G2) 440
- Dynamics In (DYN IN) 441
- Expander In (EXP IN) 441
- Compressor In (CMP IN) 441
- EQ Type Background 442
- HF Frequency 443
- HMF Gain 443
- HMF Frequency 443
- LMF Gain 444
- LMF Frequency 444
- LF Frequency 445
- EQ to Sidechain (DYN SC) 445
- Pre-Dynamics (PRE DYN) 446
- Usage Notes 447
- SSL G Bus Compressor 449
- SSL G Bus Compressor Controls 450
- General Usage Notes 452
- Studer A800 454
- Studer A800 Screenshot 455
- Gang Controls Notes 463
- Sync HF EQ 466
- Sync LF EQ 466
- Repro HF EQ 466
- Repro LF EQ 466
- Studer A800 Latency 467
- CHAPTER 48 468
- LA-2A Plug-In Family 470
- LA-2A Controls 473
- Trident A-Range EQ 477
- Trident A-Range EQ Controls 479
- Low Shelving Frequency 480
- Low Shelving Gain 480
- Trident A-Range Latency 481
- CHAPTER 50 483
- UA 1176 Screenshots 484
- 1176 Plug-In Family 485
- UA 1176LN Legacy 486
- UA 1176LN SE Legacy 486
- 1176 Controls 489
- UA 1176AE Attack 490
- UA 1176LN/SE Legacy Attack 490
- In UA 1176 Limiter Collection 492
- In UA 1176LN/SE Legacy 492
- CHAPTER 51 494
- UA 610 Screenshots 495
- The UA 610 Plug-Ins 496
- Realistic Tandem Control 497
- Hardware Input Impedance 498
- Tactile Gain Staging 498
- Input Level Controls 499
- Unison Impedance 500
- UA 610-A 500
- Input Pad 500
- Output Level Controls 501
- UA 610-B 502
- 610 History 503
- The Universal Audio 2-610 505
- Dual Channel Tube Preamplifier 505
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